Digital-First
VOD-primary distributors focused on broad digital reach without theatrical overhead. Revenue-share models, lower barriers to entry, and wide digital footprints — making them among the most accessible options for emerging indie filmmakers.
BayView Entertainment
BayView Entertainment is one of the longest-running digital-first distributors in the U.S., specializing in instructional, documentary, lifestyle, health, and faith-based content. They handle encoding, metadata, and delivery to major VOD platforms, operating primarily on a revenue-share basis. While not prestige, their catalog reach and niche content expertise make them ideal for factual and instructional content.
Breaking Glass Pictures
Breaking Glass Pictures is a Philadelphia-based digital-first distributor with a strong niche in LGBTQ+ cinema alongside indie drama, documentary, and horror. Revenue-share model with no upfront fees. Known for being open to emerging filmmakers without major credits. They access all major VOD platforms and a wide network of LGBTQ+-specific platforms including Revry and OUTtv.
Echelon Studios
Echelon Studios manages global or regional digital rights across VOD, TV, DVD, and airlines, with favorable filmmaker splits (70/30 or 60/40). Their large catalog means films receive minimal individualized marketing, so filmmakers must drive their own audience. Accessible entry point for emerging filmmakers who prioritize reach over prestige, with good platform breadth.
New Video / Cinedigm
New Video (now part of Cinedigm's distribution network) offers broad digital distribution across major U.S. platforms. Their catalog includes a wide range of independent content. The Cinedigm parent company also operates FAST channels, giving distributed titles additional placement opportunities beyond the standard TVOD/AVOD storefronts. Better for volume and availability than personalized filmmaker service.
Freestyle Digital Media
Freestyle Digital Media prioritizes speed and breadth — they get films onto every major VOD platform quickly without the slow ramp of a theatrical campaign. They accept drama, thriller, documentary, and action content with a relatively low bar for production quality. Known for transparency, filmmaker-friendly terms, and honest reporting. A reliable workhorse for digital-first releases.